Galleries

Galleries Hours
Sunday noon - 4:30
Monday - Saturday 9:00 - 4:30
One hour prior to performances

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Gallery One, Morgan Clifford

Gallery One, Morgan Clifford

Opening reception: July 11, 6:30 - 8:30 p.m.
July 11th - August 10th, 2014

“Watching colors slowly ‘progress’ from one hue to another is one of my favorite visuals.  I am always tempted by the color cards in the paint section of the hardware store and when dyeing my fibers I am endlessly fascinated with the final results.”

Gallery Two, Kelly Ludeking

Gallery Two, Kelly Ludeking

Opening reception: July 11, 6:30 - 8:30 p.m.
July 11th - August 10th, 2014

“The fire god smiles when sublime liquid iron is released from the furnace repurposed into something beautiful, useful, permanent. We stay - I stay - until the furnace trembles. Cast ironmongers dance about me. Alone in their iron tribe. Together in their aloneness.”

Gallery Two, Kara Hendershot

Gallery Two, Kara Hendershot

Opening reception: July 11, 6:30 - 8:30 p.m.
July 11th - August 10th, 2014

“I … create portraits and figurative reflections of estrangement within personal relationships. This theme stems from the impact of an estrangement from my mother, whose complications with mental illness led to an abrupt departure during my childhood. The experience had a profound influence on my work, leaving a mark of confusion and curiosity about the human mind.”

Gallery Three, Dick Ott

Gallery Three, Dick Ott

Opening reception: July 11, 6:30 - 8:30 p.m.
July 11th - August 10th, 2014

“As a street shooter for more than 30 years I am a fanatical fan of the genre. Little wonder, because street photography helps define my life. When on the street I have an energy, and purpose, that drive me.”

Overlook Gallery, Amy Baur

Overlook Gallery, Amy Baur

Opening reception: July 11, 6:30 - 8:30 p.m.
July 11th - August 10th, 2014

“Combining minute and expansive scale, I am interested in exploring a place between the actual and the imagined, closer to observation than fact, less assured and more about the uncertain. Through distillation and ambiguity, the work I am most interested in refocuses attention to the physical details that surround us.”

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